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Camp
as a Row of Tents
Home for wayward girls. Nuns. Gothic Renaissance
source material. Mary Woronov.
These
are but three elements of the upcoming flick, "The Halfway
House". Yes, lesbian camp icon Mary Woronov herself
("Sugar Cookies", "Grief", "The Living
End", various Andy Warhol films) is starring as
a nun running a halfway house where the girls seem to mysteriously
disappear and something smells in the basement. If it sounds like
the "Anne" episode from "Buffy"
to you, well, it does. Only this one will have lots of breasts and
blood! For a trailer, cast and crew, and lots more, click HERE.
Oh - did I mention that writer/director Kenneth J. Hall is
also responsible for "Nightmare Sisters" and "Linnea
Quigley's Horror Workout"?
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Production
Horrors
So it seems that not one, but two highly-anticipated
studio horror flicks have hit the rocks as of late: the Wes Craven/Kevin
Williamson werewolf flick "Cursed" and the
Paul Schrader/Caleb Carr debacle "Exorcist: The Beginning".
And it now seems that the same method will be used to cure these
troubled films: dump in tons of new money, reshoot, release. Yes,
it seems that the "Cursed" camp will be throwing
out up to 80% of their completed material and shooting an almost
entirely new script, and get this -- the ending still hasn't been
determined. As for "The Exorcist", studio execs
were so flummoxed by the cut that Schrader turned in that
they canned him and are bringing in a new director (latest rumor:
Renny Harlin) to reshoot a bulk of the film, with another
$8M to do so. My advice? Can the crap and use the $8M to make something
else.
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The
New York City Horror Film Fest Kicks Off
On Tuesday the NYCHFF kicked off with
a bash at Don Hill's in Manhattan. Aside from lots of drunk
people (open bars have a tendency to do that) and a handful of nervous
filmmakers, the event boasted appearances by the ever-lovely Felissa
Rose (Angela from "Sleepaway Camp") and a posse
of her "Return to Sleepaway Camp" co-crew and cast,
horror tentpole Bill Lustig (director, "Maniac"
and creator of the Blue Underground DVD label), and lots more.
The night started out right with a fun NYCHFF preview consisting of
gory bits from lots of horror standbys and a preview of Marina
de Van's utterly creepy-looking "In My Skin"
(New Yorkers will have two sneak chances to catch the flick at the
Village East theatre before it opens on Nov. 7th). Next up was
the short "7734" by Jennifer Lamaj, a bloody,
claustrophobic piece about a crazy guy haunted by a dead little girl
and a fat guy with stitches. At least, that's all I could make out
considering I couldn't hear a word of it. Next came "The Fine
Art of Poisoning", a clever, beautiful black-and-white animated
piece (looked like After-Effects to me) that matched creepy, Edward
Gorey-ish gothic Victorian imagery with a lilting, eerie chamber
piece, directed by Bill Domonkos. If you like the opening of
"Mystery", then you'd love it (as I did). The party
then turned into a pilot television show for "Video Evolution",
where bands compete and make videos, and to be honest it was all a
bit off-the-track for me. But tune in tomorrow for more updates on
the festival goings-on! |
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